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Opera Australia's La Bohème production challenges verismo with medieval-inspired visuals
Opera Australia's 2026 production of Puccini's La Bohème, directed by Constantine Costi, has received a review highlighting its visually extravagant approach to the classic opera. The production transforms Paris into a medieval panopticon reminiscent of Ken Russell's style, featuring lavish sets and costumes that sometimes overwhelm the narrative. The review notes that while the second act, set in a Parisian cafe, becomes excessively cluttered with visual elements like Virgin Marys, carnival creatures, and a giant papier-mâché cardinal, the final acts return to emotional depth. Galina Cheplakova delivers a standout performance as Mimi, with her vocal range and chemistry with Kang Wang as Rodolfo praised. The production balances visual excess with moments of genuine emotion, particularly in the poignant third act where Rodolfo confesses Mimi's impending death. The orchestra, led by Finnegan Downie Dear, provides strong support with notable woodwind performances. The review concludes that while not a definitive version of La Bohème, the production offers a fresh perspective that successfully navigates between visual spectacle and emotional storytelling. The show runs at Melbourne's Regent Theatre until 18 November before moving to Sydney Opera House for performances from 2 January to 17 March.