Bluesky · Hashtag

#FashionHistory

247
posts · 30d
43
users
8
posts / day
5.7
posts / user
+ 0% vs last week

#FashionHistory is an active hashtag on Bluesky. In the last 30 days, 43 people shared 247 posts with it — around 8 a day. Activity is up 0% versus the previous week, peaking on Jul 12 with 14 posts.

#FashionHistory posts per day (last 30 days)

Posts with #FashionHistory

Kate Strasdin
@katestrasdin.bsky.social
about 11 hours ago
Some real old school Hollywood glamour in a pool of silver lamé designed by Travis Banton for Mary Ellis. She wore the dress in the 1935 comedy movie Paris in Spring. Happy weekend all! #mfaboston #FashionHistory 🗃️🪡
A long sleeved long length silver lamé dress with a train that swirls around the feet. It has a green stone/brooch centre front of a draped neckline
A black and white photograph of Mary Ellis wearing the silver lamé dress by Travis Banton in the film Paris in Spring. She is standing on a stage about to sing with her arms raised
7 26 250
Kate Strasdin
@katestrasdin.bsky.social
1 day ago
I have long felt that Jean Dessés is an under rated mid century designer, a creative mind able to shape fabric into myriad forms through drapes and pleats and geometries. This #1950s gown is a burst of sunshine on this, the day of his birth #sandyschreier @metmuseum.org #FashionHistory 🗃️🪡
Partial view of a strapless pleated and draped yellow silk chiffon dress with a horizontally pleated bodice and swagged skirt
A fabric detail of the skirt of the yellow chiffon 1950s dress showing how the skirt hangs in deep folds
Full length side view of the strapless yellow chiffon evening dress consisting of tight form fitting jeans cleared bodice and swagged draped long skirt
9 35 186
Kate Strasdin
@katestrasdin.bsky.social
about 21 hours ago
Blending in beautifully on Dartmoor for today’s Unsuitable Dog Walk Attire, bringing you Toshiko Yamawaki’s 1956 evening dress of purple silk with Japanese gold thread embroidery. The bell heather and gorse display is splendid right now #thekyotocostumeinstitute #FashionHistory 🗃️🪡
A deep purple sleeveless silk evening dress with a giant bow visible at the back. There is a giant gold swirl of embroidery circling the skirt and bodice
A photograph of Dartmoor today with a Bracken green backdrop and in the foreground a bush of purple bell heather and yellow gorse
8 20 121
Kate Strasdin
@katestrasdin.bsky.social
2 days ago
One of my favourite images of Alexandra Princess of Wales catches her in the #1880s on board the royal yacht in what is likely a tailormade by John Redfern. The sailor suit is recreated in Redfern’s immaculate construction. You can read more in Dressing the Queen! Jacket #V&A #FashionHistory 🗃️🪡
A colorized photograph of Alexandra Princess of Wales in a white and navy sailor style tailormade. She is wearing a straw boater hat and leaning against a doorway
A black and white photograph of Alexandra Princess of Wales in the same sailor style tailormade, shown seated at a desk. It is taken from the back showing the sailor collar
Partial view of a John Redfern tailored jacket from the 1880s. It is made of navy blue wool with asymmetric military style frogging braid running down one side of the torso
A photograph of my book Dressing the Queen on a stand at the Derby Book Festival
5 11 96
Kate Strasdin
@katestrasdin.bsky.social
5 days ago
A starry night walking home at the weekend reminded me of this fancy dress costume worn by Marjorie Merriweather Post in 1926, a dark sky chock full of beaded stars plus all of the sparkly accessories #HillwoodMuseum #FashionHistory 🗃️🪡
A drop waisted 1920s black dress covered with different sized metallic bead stars. It has a long train and chiffon shoulders and sleeves
A detail of the fabric covered in beaded stars covering the mid 1920s fancy dress costume
A black and white photograph of Majorie Merriweather Post wearing the starry night fancy dress costume
A photograph of the accessories worn with the starry night fancy dress costume including rhinestone buckled shoes, sequinned cap and large black feather fan
10 32 142
Kate Strasdin
@katestrasdin.bsky.social
4 days ago
If this looks almost too perfect to be true then that is because it is. Rather than a full size corset, this is a miniature #1890s version likely used as a sales tool, proving that the commodification of perfection is an age old strategy #FIDMMuseum #FashionHistory 🗃️🪡
An image of a red corset with white boning channel stitching. It has red ruffles around the décolletage and at the bottom. It is very small in reality
2 25 122
Kate Strasdin
@katestrasdin.bsky.social
3 days ago
Different versions of Dior’s 1949 ‘Venus’ dress survive in collections around the world. Each image offers an alternative perspective, aspects of construction that I hadn’t really noticed before. This #KSUMuseum really shows the distinction between soft layers & sequined scallops #FashionHistory 🗃️🪡
A pale pink sleeveless ballgown consisting of an embellished fitted bodice with narrow shoulder straps and a many layered tulle skirt. It has a kind of scalloped overskirt with pearlescent sequins that look like iridescent fish scales
A black and white photograph of a model wearing the pale pink scalloped Dior evening dress
3 17 103
Natania Barron ~ Fantasy Author
@natania.bsky.social
over 1 year ago
1 - Welcome to #ThreadTalk! Get ready for #fashionhistory – it’s been a while, but I'm back. Today’s topic is All That Glitters – we’re talking about fashioning fabric with gold and metal, but especially real gold. Below, 1610-1620 - Dress of Electress Magdalena Syblla of Saxony.
From State Art Collection - Dresden - The golden yellow and salmon-red ceremonial dress with gold and silver lace follows the shape, nuanced colors and sophisticated decorative details of Italian women's fashion around 1590-1620.
The tight-fitting, slightly protruding, pointed bodice is trimmed in dense rows with narrow gold and silver lace. It is closed at the front with concealed hooks and eyes. The skirt is buttoned to the bodice using numerous gold and silver trimming buttons. The slightly stiffened bodice embodies an early form of the so-called snail waist, which was to be a defining feature of women's fashion in the 17th century.
The skirt - an overskirt - is open at the front and is effectively trimmed in several circumferential panels with wide and medium-wide gold and silver lace, into which drop-shaped silver sequins are worked. A second, representative skirt was effectively visible through the front slit and the long skirt slits, which were held together with ribbon roses (not known).
The graceful star-shaped shoulder decoration is borrowed from the bridal and formal wear of noble Venetian women. The jagged tips flash with bright red silk pompoms. The tight-fitting salmon-red sleeves are fastened at the wrist with buttons. They are completely embroidered with scales and stars. The golden yellow wing sleeves above are decorated with lace and many small trimmings made of gold and silver thread.
The accessories of the dress can be imagined as a high, fine white lace collar, lace cuffs of the same kind, and rich gold and pearl jewelry.
The queens and princesses of the English and Danish royal families, as well as Maria de' Medici, Duchess of Florence and Queen of France, were particularly pioneers of the fashion represented by the dress shown. No other original examples have survived in this completeness and condition.
34 189 657
Kate Strasdin
@katestrasdin.bsky.social
8 days ago
For decades, the pleating technique associated with Fortuny’s famous Delphos and Peplos designs were attributed to the man himself, but evidence shows that it was created by his wife Henriette Nigrin. It is all thanks to her that these shimmering wonders exist. #PalazzoFortuny #FashionHistory 🗃️🪡
Partial view of an aqua pleated silk dress with a hand stencilled silk belt and small decorative murano glass beads
A black and white photograph of Henriette Nigrin, Mariano Fortuny’s wife wearing a loosing fitting gown and standing front of a length of fabric
6 69 211
Kate Strasdin
@katestrasdin.bsky.social
6 days ago
There is something about early #1910s silhouettes that I find deeply appealing. It might be the frequent asymmetry or the elongated skirts with the the directoire bustline. Or the sharp detailing perhaps. Whatever it is, I like it a lot. Blue velvet c1913 #thekyotocostumeinstitute #FashionHistory 🗃️🪡
A slightly high waisted blue velvet dress with long, narrow draped skirt and a high busted bodice with lace infill. It has a decorative belt in a lighter blue and lace trim at the sleeves
A fashion plate from 1913 that shows three different dresses from the period, a green, a red and a yellow. All of the models are wearing hats and posed at different angles to show off the garments
6 22 136
Kate Strasdin
@katestrasdin.bsky.social
about 1 year ago
Pain got the better of me yesterday (bloomin’ hips!) but an impromptu hobble along the sea front this morning helped me to regain some perspective. That and codeine. Imagining a stroll in an early #1950s Carolyn Schnurer frock @metmuseum.org #FashionHistory 🗃️🪡
A green dress with square neckline and short cap sleeves with vertical pattern repeat. The skirt is full at the waist falling to below the knee
A sea view with a small sailing boat in the distance and a seagull hovering in a blue sky
A sea view with small waves rolling onto the beach and a red tree topped cliff in the distance
30 18 538

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