Bluesky · Hashtag

#ECM

47
posts · 30d
16
users
2
posts / day
2.9
posts / user
-21% vs last week

#ECM is an active hashtag on Bluesky. In the last 30 days, 16 people shared 47 posts with it — around 2 a day. Activity is down 21% versus the previous week, peaking on Jul 29 with 6 posts.

#ECM posts per day (last 30 days)

Related tags

Tags most often used together with #ECM.

Posts with #ECM

Alberto Elosegui-Artola
@aeloseguiartola.bsky.social
over 1 year ago
Thrilled to share our new review article! “The role of extracellular matrix viscoelasticity in development and disease” written together with Olivia Courbot is now published in npj Biological Physics and Mechanics. www.nature.com/articles/s44... #ECM #Mechanobiology #DevelopmentalBiology
The role of extracellular matrix viscoelasticity in development and disease - npj Biological Physics and Mechanics

www.nature.com

The role of extracellular matrix viscoelasticity in development and disease - npj Biological Physics and Mechanics

npj Biological Physics and Mechanics - The role of extracellular matrix viscoelasticity in development and disease

1 19 46
Sid Smith
@sidsmith.bsky.social
6 months ago
Paul Bley Ballads ECM 1010 Recorded in 1967, in what could be a Morton Feldman score for jazz trio or a manifesto for The Necks' sonic minimalism, Bley’s poetic ear charts starry clusters that grow, glow, and fade within the gauzy expanse of Annette Peacock's stellar writing. #ECMFirst100 #ECM
The first time I heard this record, I barely noticed what was going on within it, subconsciously pitching it, I suppose, as a kind photo-ambient offering. But in more recent years, attentive listening reveals the movement and connectivity within the work of the two trios featured on the LP. Side one often just plays on repeat mode.
Recorded in the hot New York summer of 1967, the 17-minute-long Ending slowly marks out each player’s respective areas as they slip in and out of trio formation. 

It’s a conversation that doesn’t encourage repetition, where reclusive piano notes skulk between the reverberations of snare and cymbal or the telling economy of laconic bass. 

As each player revolves within their respective sphere of influence, when they gradually overlap or align, fresh exchanges are sparked. It’s this process of gentle accretion and dissolution that gives Ballads its intense but quiet beauty.
This is the second vintage New York recording of Bley’s on ECM, and it’s easy to grasp Eicher’s attraction and why he sought to adopt them, given that the aural spaciousness that would come to define ECM recordings is present, albeit in nascent form, throughout Ballads. 

A minimalist painting in sound that stands well outside the decade of its creation, it possesses a timelessness that’s indicative of the best kind of art. That quality seems wholly appropriate for a man whose 1999 autobiography was entitled Stopping Time.
Annette Peacock’s writing provides the conceptual underpinnings, while the respective trios do the heavy lifting. Her role here is crucial to the album's success, and she doesn't get anything like enough credit for her work.   

Speaking to The Wire in 1983 about working with Bley, she said, “I wrote music specifically for that time, that environment, and that particular person. Whatever I did for him had to be fresh and give the musicians something to work on or towards, creating an environment for them to work within. The free movement at that time was just pure energy, just chaos - ‘We’re free at last! - I looked at that, and I could see a balance had to be struck, so I started off writing music that wasn’t in time, it just had speeds. Music that didn’t deal with traditional chord shapes but relationships between harmony and dissonance, and how they interacted. That opened up a whole new world to me as a composer.”
2 4 42
Richard Littler
@richardlittler.bsky.social
12 months ago
Today's charity shop haul. I found these among the myriad James Last, Boney M, oompah band, and Engelbert Humperdinck records. You can't see it in this photo, but the #VelvetUnderground cover has the faint skull tattoo. #ECM #ArvoPärt
Record: Passio by Arvo Pärt
Record: White Light / White Heat by The Velvet Underground
5 1 42
Realm of Dusk
@realm-of-dusk.bsky.social
8 months ago
#nowplaying #ecm #jazz #vinyl Mal Waldron — ‘Free at Last’ Gonna try listening to every ECM LP I own in chronological order. Please join me on my #ecmodyssey and feel free to launch one of your own. This is the first ECM release. Obviously, it is the recent extended reissue, not an original.
A vinyl reissue of the first ever album released on the ECM label.
1 4 37

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